Monthly Archives: August 2011

Kicking and Screaming

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Fitness instructor from Bootcamp PilatesOne of the greatest things about being a photographer is chance to learn life lessons from the people I shoot. Though my interaction with each of my subjects may range from a quick portrait to a full-scale production, I generally have the luxury of my subjects’ undivided attention at least for a few frames. By watching them, examining them, preening them and of course talking with them, I am able to assess their character quickly with relative ease, and generally take away something of value (besides a photograph) from the shoot.

Take the successful architect. He showed up an hour and a half late and chain smoked through the entire shoot. Gruntingly boorish in his manner, I was certain to capture his greasy hair, big belly and booze-pocked nose. Returning to the office to process the images, there was no retouching required. I uploaded the files from my camera, had a quick look to pick out the best ones, exported the RAW files to TIFFS and sent them off to my editor.

Conversely, there was the portrait of managing director from Cyprus. Though incredibly successful at the helm of his company, he didn’t seem to fare too well when it came to his diet. “Can you make me look slimmer?” he asked in a polite and childlike manner. “No problem,” was all I said as I positioned his body in a way to diminish his size and eliminate one of his chins. Afterwards in Photoshop, I gave him a bit of a tummy tuck, whitened his teeth and brightened his eyes. He never looked better.

These two shoots exemplify just a couple of things I learn from my subjects on a daily basis. If you want to look like a surly and bloated bohemian, be a jerk to the photographer. If you want to look the best you possibly can, a cordial conversation goes a long way.

There are shoots, however, where the impact that my subject has on me goes deeper than simply affecting my mood that day. When I shot a series of images for a youth charity in Seattle, I asked one of the subjects to sit alone with her backpack on a quiet staircase and look as if the bag was the only thing she had in the world. She shared with me that when she first came to the charity, it was all she had. I had to breathe deeply so as not to cry. Having come from a stable family with loving parents, it’s easy for me to take for granted all of the many opportunities this has afforded me and forget that many people don’t share that experience.

A kind dragonWhen I had the opportunity to photograph Rachel Elnaugh, a successful entrepreneur and former Dragon from the BBC’s Dragon’s Den, I didn’t have an assistant that day and had a bit more kit than I could comfortably manage myself. Without batting an eye, she asked what she could carry, picked it up and off we went. A simple gesture, and one I gleaned typified her chief cook and bottle washer approach to life. Clearly she didn’t get where she is today by sitting back and expecting others to take care of everything. If a task was at hand, she’d roll up her sleeves to get the job done.

While simple interactions like this are great anecdotes for dinner party conversations, occasionally, however, what I take from a shoot hits a bit closer to home, leaving me reflecting on the issues well beyond the tube journey home. Earlier this summer I was commissioned to photograph a series of images that would be used for the launch of a fitness studio in London called Bootcamp Pilates. A high-end exercise facility targeting urban professionals and yummy mummies, Bootcamp has four studios across the city and a large pool of fitness instructors to keep their clients in shape.

The photo brief was to capture three distinct shots of each instructor for use on the company’s web site and in its promotional literature: a portrait on a white background, a shot of each trainer giving instruction, and a photo of each instructor demonstrating one of the Pilates positions used in class.

On the surface it was a very straightforward shoot that went completely to plan. The instructors were chipper and cheerful, and very easy to work with. We experimented with a number of different positions and lightings to ensure that each one was shot in a way that best represented Bootcamp’s brand. I’m not completely sure when it happened, but perhaps while photographing the third or fourth instructor, I began to feel a bit, how best to phrase this, old and fat. Granted, most of the instructors were somewhere between twenty-five and thirty-two (whipper-snappers), and as they were fitness instructors, their bodies were active all day long—so of course they were in great shape. But my brain had no room for logic. As I took a sip of my cappuccino, the lyrics to Paul Simon’s song Call Me Al, “Why am I soft in the middle…” raced through my brain.

I finished the shoot on schedule and made my way back home, all the while pondering when I had transformed into this older, flabbier version of me. At home, I put away my gear and hopped into the shower. While drying off I looked down at my belly, my middle-age trophy, and pondered, how? This was what Bette Midler would probably refer to as the moment my sautéed chickens had come home to roost.

OK, admittedly I wasn’t obese, but I had to ponder where the body of my youth had gone. I was an aerobics instructor for years in my twenties. I’ve run a couple of marathons, but when—or better yet—how, did I allow myself to reach this point. I stepped onto the scale and realized I was the heaviest I’d ever been. I tucked that away into my brain and went about my day. The truth is, I’ve always struggled with the demons of flab—more precisely, my lack of self-control and my whole-hearted willingness to overindulge myself have been two guiding forces in my life, constituting the two little devils sitting on my left shoulder. Opposing these demons is the angel of determination who steps in when necessary to counteract their evil ways. Somewhere along the line, however, that angel fell asleep on my right shoulder, and as a result, I was now carrying an extra twenty extra pounds.

As I write this, I’m acutely aware that this posting has the potential to sound self-righteous, fattist or just raise the hackles of people I know and love, but my intention is to be quite candid about a problem that affects the bulk of Americans and many others in the developed world including me, over-nutrition. According to WebMD, 63.1% of adults in the US are either overweight or obese. SIXTY-THREE POINT ONE PERCENT! That’s huge. And the UK is not far behind, with just this week the government predicting that by 2030 over 40% of the population will be overweight here. The US Department of Health estimates that 300,000 deaths per year are the result of obesity and the cost to the taxpayers to deal with issues related to obesity run to about $117 million per year.

Stepping off the scale, I found myself at very upper limits of the target weight guidelines for men of my height, and that was disturbing. I’ve been close to this before, but each time before I’ve simply donned my running shoes and lost the weight. But somehow, this time it felt different. The word diet dashed through my brain. Diet? What? Me? How? I heard the voice of the cook from movie The Women whisper, “That Adonis figure won’t last forever without a little help from the kitchen,” and knew what I needed to do.

I’ve never been on a diet before. In my teens I drank Diet Coke because it was the rage, but at some point concluded I hated the aftertaste of any artificial sweetener, and went back to the real thing. I’ve never counted calories nor denied myself when tempted by a cookie or piece of cake. The truth of the matter is that I like to eat too much, drink too much and when given the option between a going for run or going for a sausage roll and a pint with Lee, I’d probably choose the pub. Something had to change.

While back in Seattle in June, Lee and I met up with our friends Gay and Troy for dinner, and they looked amazing—fit, fresh and genuinely youthful. We’d seen them a couple of years before and at that point they had gotten into shape after years of toiling behind their computers. Over a wonderful dinner of steak and salad, we grilled them on what they’d done to get so trim and stay that way. They shared that they’d incorporated exercise into their daily routine and when asked about their diet, they candidly said they’d not gone on a diet, but rather changed their diet by dramatically reducing the amount of carbohydrates they consumed each day. Hmmm, exercise and watching what you eat, you mean it actually works? Say it isn’t so. Armed with that sage advice, Lee and I left Seattle to complete the rest of our eating/drinking festival across the US.

Returning to London after our travels, I felt like a bloated pig. My intentions to keep fit while in the US had been quashed by late night catch-ups with friends and eating out every meal. But I had no fear, Lee and I had mentally embraced the challenge to slim down and redefine our bodies. While that may sound extreme, it was a very active decision to take charge of our bodies, get in shape now, and create a foundation for keeping fit moving forward.

Whenever I think of friends who are in shape, my friend Rod is one of the first to pop into my mind. We were roommates in the early 1990′s and once I lamented to him about how slowly the fat was burning off, he simply asked, “How long did it take to get there?” Touché. What sets Rod apart from many people is how he has incorporated exercise and a balanced diet into his daily routine. Keeping healthy and fit is his norm rather than the exception to the rule. He enjoys eating and drinking as much as the rest of us, but has a managed approach to his consumption, sort of like paying off a credit card at the end of every month. If you don’t, you simply carry too big of a balance over and incur unwanted interest.

For the first couple of weeks of the changed diet, Lee and I grappled with our decision. No bread, no crackers, no nuts, no fruit. No sodas, no milk, no beer, no wine. As we bemoaned what we were missing, and our cravings just seemed to increase. It was hell when attending our niece Hollie’s fifth birthday party were we had to forgo not only the cake, but also the homemade chocolate chip cookies. I’m not one wired for denying myself. You know when you walk into a Starbucks and see a sign that reads, “Indulge Yourself” or “You Deserve It,” I’m certain those copywriters have me specifically in mind. The truth is, however, that though the words desire and deserve may start with the same three letters, they are not interchangeable. I may desire a double-choccie-mocha-fappie-latte, but I wouldn’t deserve one any more than an eighteen-year-old looter in Croydon deserved that color TV or pair of sneakers he stole during the London riots.

As the weeks passed, however, adhering to the new routine became pretty easy. We had eggs and bacon for breakfast, snacked on cheese cubes and avocados, and ended the day with suppers of meat and vegetables. At the same time, both Lee and I re-established our exercise routines, knowing we needed to strike a balance between good eating and consistent exercise. The weight began to go away, not at a stupid-fast pace, but a couple pounds a week, and by the end of week seven, I’d dropped fourteen pounds. Not bad. While my objective was to drop the full twenty pounds, I was pleased with the initial results, and following the general guidelines of the new diet, began to introduce things back into my diet.

This is where the all the good work has the potential to go to hell in a hand basket. One piece of toast in the morning easily becomes two slices with a little bit of jam thrown in for good measure. Go on, indulge yourself. One pint of beer leads to a second pint of beer leads to the third pint of beer. You deserve it! Don’t even get me started on the bag of cinnamon saltwater taffy our friend Will brought back from the US—it was gone in a matter of hours. These “special treats” that are meant to be my exceptions have the potential to become the norm.

Over the years, I’ve had a number of wake-up calls to address my gluttonous behaviors. When I was in fifth grade, I remember telling my teacher that I typically ate ice cream once a day. He kindly replied, “A kid your size shouldn’t be doing that.” When I returned from living in Taipei, my friend’s dad poked my belly and said it was time to get into shape. And in my early thirties, while on holiday in Sitges with my uber-fit friend Alan, he pointed out I needed a serious fitness regime.

Previously, however, losing weight wasn’t a problem. When I was ten, I didn’t need to pay heed to my teacher’s wise words. I hit puberty soon after and got taller, dispersing the fat while keeping the ice cream. Problem solved. When I was in my twenties, I just picked up my running shoes and lost the weight. No change necessary. When I was in my thirties, I resorted to the gym in order to lose the weight so I could land a boyfriend. But now that I’ve hit the forties, am a bit more settled in my ways. I have a partner, own a house and run my own business. I know that my metabolism has changed a bit, and more importantly, my lifestyle has changed a great deal. The question at hand, what would motivate me to do something to prevent slipping even further. Vanity? Perhaps. A lot of gay men I know tend to have the Barbie complex—you can never be too rich or too thin (or in this case, too fit)! But Lee and I have never really subscribed to that mentality. Sure, I’m probably just as vain as any other guy I know, but vanity only goes so far, there has to be a motivating factor that is deeper than what I see in the mirror. Some motivating factor to transform my Pilsbury Doughboy self-image into one a bit more along the lines of a maturing Ken doll. And that something was found at the Bootcamp shoot. People who had embraced fitness as part of their life and reminded me of that lifelong commitment to themselves.

Practically every summer over the last six years, I have photographed an annual forum in Seattle called the Pacific Health Summit. Here healthcare leaders from across the globe come together to discuss the major health issues confronting society across the globe. Two years ago the topic was nutrition. The forum focused on the problems of malnutrition in the developing world and the issue of over-nutrition in the developed world. One of the speakers shared an interaction he had with his own GP. As I was photographing the event and not responsible for the minutes of the event, my recollection of his exact words are a bit cloudy, but the message was quite clear. Will exercise, watching his diet and keeping consumption of alcohol to a minimum make him live longer? His GP’s response was, probably not, but it would help him live better.

The story got a number of chuckles across the audience of industry professionals, but the speaker’s message was loud and clear. We in the developed world have the choice to look after ourselves. We don’t have to worry where our next meal or snack or drink is going to come from. We have the choice to regulate or indulge ourselves, and have the luxury to choose to exercise or not. The net result of our choices, however, is perfectly clear. As a society, we are choosing that extra cookie and we are choosing that pint of beer over a run, and we are consistently choosing it on a daily, weekly and monthly basis. Myself included.

So what’s the punchline? I’m still confronting this issue head on, and truthfully, I expect that I will continue to do so for as long as I have the will power. I’m back at a comfortable weight, but for how long? How long is a piece of string? I gain strength from the Rods in my world and accept that maintaining a healthy and balanced diet is an ongoing process. I also remind myself of the things in life I truly deserve: life, liberty and the pursuit of happiness. A slice of chocolate cake may give me pleasure, but somehow that doesn’t fall into an unalienable rights. While nothing in life is ever set in stone, let’s hope that the next time I wish to indulge myself, I’ll simply add an extra mile to my run or do a few extra sit-ups to make my day. I may not live longer, but it will help me live better.

Making Lemonade

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Shop closed in the middle of the afternoon

Over the last week, images coming out of England have painted a dark and dire picture of this country that is now my home. Scenes of riots, looting,

Woman jumping from burning building in Croydon

Woman jumping from burning building in Croydon

and the silhouette of a woman jumping out of a burning building are now ingrained into the psyche of people across the globe. Videos on YouTube of people flagrantly oblivious to the suffering of others, endless Twitter messages and the non-stop barrage of politicians, police and pundits stepping forward (now) to discuss how to fix “Broken Britain” has created a complete sense of unease here in the Capital, as well as across England. In the aftermath we have images of shops boarded up mid-afternoon to prevent any further disturbances and then ultimately the stories of the disenfranchised yobs and dishonest Samaritans, who seized the opportunity to wreck havoc on society, now being wrangled by the law to face judgment in court.

While these images are now part of our collective memory, I thought it might be good to take a step back and remember that there are good things about this country, and that even though the ugly side of humanity has shown its face full-on, this country is beautiful and I’m fortunate to have the chance to photograph here.

A couple of weeks before the riots, I had an assignment from my client, Kinleigh Folkhard & Hayward estate agency, that was quite different from my mostly people-centric photography; they asked me to photograph a bridge in Finchley, north London. They included a photo of the bridge in the brief they sent me. It was a lovely bridge across a babbling brook with dappled lighting and delightful contrast. They included directions to the bridge and sent me on my way. Initially I was to have done the shoot on a Monday, but because of a mechanical problem with the aircraft on my flight from Minneapolis to London, I was delayed a day, pushing the shoot to Tuesday. It was cutting the deadline a bit tight, but the client understood and we agreed to have it done Tuesday afternoon.

The sunset on Monday nightArriving home on Monday afternoon, I delighted at the beautiful summer evening, and looked forward to an equally beautiful day for the following morning. It never came. Clouds moved over the British Isles around five o’clock the next morning, and hovered over London with their grey light, completely devoid of any contrast or vibrancy. As I walked from the tube station to the bridge, the clouds seemed darken even further, and any prospect of a cloud break seemed bleak at best.

Following the client’s directions, I came across a lovely arched footbridge over a babbling brook. I took a meter reading of the light, set my aperture and shutter speed to what the reading indicated and began photographing the bridge. After having captured it from a number of different angles, I decided to look at the photo the client provided in the brief once more. As I couldn’t replicate the lighting, I could at least replicate the exact location and position of the bridge in the shot. I pulled the image up on my phone and began scouting for the precise place that photo had been shot. Hmmmm…as I came to the spot I believed the photographer had shot it, I noticed that the trees were a bit different. Upon closer inspection, however, I realised that the bridge I was photographing and the one in the photo were two separate bridges. The one before me had a gentle arch, while the one in the photo was flat. This was really strange. I had followed the directions to a T, but oddly enough, this wasn’t the bridge they wanted.

I rang my client. We discussed the bad lighting and the arch of the bridge, and she asked for a few minutes to confer with her colleagues.When we spoke again, she understood the lighting dilemma, but it would have to suffice due to the tight deadline. She also confirmed that there were actually two bridges over the brook. A pair of patrolling police officers passed by. I asked them if they knew where the second bridge was. One of the officers pointed to my left and said there was another bridge about a mile in that direction. I asked if there was anything to my right, and he just shrugged saying he only knew of those two. With camera and tripod in hand, I began hiking. The canopy of the trees darkened as I proceeded deeper into the woods. A gentle pattering of rain fell and then ceased and I continued walking.

After about fifteen minutes, the foliage cleared and the path ended at a main road. “That’s it?” I thought. I looked  around me for signs of a continuing path, but there was nothing. I googled  for any information the Internet could provide on the park, the trail, on footbridges in Finchley. Nothing. I resigned myself to bad lighting and the wrong bridge. Frustrated, I made my way back to the arched bridge.

Setting my gear down at the side of the bridge, I flipped through my shots. Frankly, none were really that interesting. There was no beautiful lighting, no dappling from the sun kissing the bridge through delicate foliage. Just plain, drab grey light. Then it hit me, I would underexpose the shot and push it in Photoshop. This technique is called push processing, and when done properly can create more vibrant colours and contrast when needed. I’ve used this method countless times when doing portraits when I’ve wanted to increase the saturation of the shot. It made perfect sense that it would work in this situation too.

Photograph as shot

To achieve a successful push, you first need to underexpose the image. I looked at my light meter, then decided to stop-down one and a half stops. In layman’s terms, this means I decided to underexpose the picture 1.5 times. Then, when I uploaded the image onto my computer, I would then be able to increase the exposure, and in theory, it would provide greater saturation and contrast.I began shooting again, this time with the confidence that something good would come from it. Looking at the resulting images on the back of my viewfinder, I saw dark pictures with a few highlights. But I trusted that with the right attention on the back end, I could create an image that met my client’s needs.

After shooting a card full of dark bridge images, I packed my bag and headed up the trail, back to the station. As I came to the fork in the trail where I once turned left,  I decided to go right instead. About fifty feet later, I found right bridge. Since I was there, I pulled out my gear once more and began shooting the client’s bridge of choice, employing the under-expose/push trick to this as well. Once I had enough options, I re-packed my gear and went home.

I sent the proofs over to the client and within an hour got a message back indicating they wanted the arched bridge. I then set to work processing in Photoshop. I pushed the image about 1.5 stops and the contrast popped. The final resulting image was going to be a black & white image, so once converted into black & white, I was able to tweak it once again to accent the contrast even more.

Black & White final

Sending the final image over to the client, I paused to think about the entire image creation process. Though the client had quite a specific image in mind for the final product, time and weather constraints scuppered that vision. In order to meet their needs, it required a bit of ingenuity and a few well tried tricks to fulfil the brief and satisfy the client. The resulting image was not what they had initially planned, but one that was indeed unique for them, and distinctly from me.

While I may be over-stretching the mark to use this as an analogy for what England needs to do in the aftermath of the social unrest, I do think that there are a number of parallels to draw from. If we as a society only focus on the surface “truths” from the events, we see nothing but gray skies. If, however, we look for ways to deal with the social issues at hand that employ some fundamental basics that have indeed been tried and tested over time, we as a society may find our own Eureka! moment. Though some may choose to use a giant paintbrush to claim that the root of England’s social unrest lies either in racial or socio-economic-based divisions, for us to find a solution, or even just a solid repair job, for Broken Britain, we as a society need to look at our collective bag of tricks to find a unique and distinct solution for these problems. By not putting it off to a sunnier day and dealing with the situation at hand head-on, we may be able to take these lemons we now hold and make lemonade.