One of the toughest parts of being an “emerging talent” is finding customers with whom I share a common vision. Many times their agenda and my agenda are not necessarily completely in sync. Don’t get me wrong, I enjoy shooting practically everything, but there are definitely some exceptional situations where the client’s creativity and my creativity go hand in hand, and that is when the fun truly does begin.
I met the florist company By Appointment Only Design (BAO) at the Terrence Higgins Trust auction earlier this year. They had provided all of the flowers for the event, which were fantastic. The proprietors, Javier and Tony, and I began chatting shortly after a very drunk woman bumped into one of the floral pillars knocking the massive arrangement onto the floor. I’d witnessed the event, but Javier and Tony had missed it. Upon inspection, they found that only two of the stems were damaged, the rest were miraculously well in tact. We shared a drink and decided to meet up after the event.
Since starting my photography business, florists have been some of my favorite clients. In Seattle I had the pleasure of working with the brilliant team at City Flowers. I shot store set ups, products, floral arrangements, installations and more. City Flowers creative team was led by the largely deranged (and I say that in the most loving way possible), Jonathan von Gieseke. Jonathan and I have known each other for years, and when the opportunity to work together presented itself, we both jumped at the opportunity.
Probably my favorite shot done with City Flowers was their Halloween promotion. The City Flowers team sorted out all the props, the location, the wardrobe, the jewelry and even the chihuahua. We shot on the steps of St. Mark’s Cathedral on Capital Hill as the sun was setting. I stood on the hood of my car and lit it with two giant soft boxes, a few reflectors and a couple of grid lights. It was quite a production and I was incredibly lucky that Lee was with me to ensure everything went to plan.
Stepping into BAO’s shop in Marylebone, I was instantly reminded of the creative spirit I had found with the Seattle gang. They had magnificent arrangements, tasteful products and great music softly playing. They offered me a Nespresso and we sat and chatted in their meeting room alcove in the basement.
While reviewing my portfolio, BAO commented they wanted to deviate from the standard adverts found in bridal magazines, and have one that had a fashion sense, was sexy and at the same time didn’t feature a bride. We decided to photograph a handsome man holding lavish bridal bouquets and wearing color-coordinated jumpers (sweaters to you Americans). Lure budding brides to visit the BOA shop with the fantasy of a handsome prince.
It’s funny where you can find these princes. I spent years kissing frogs until I found mine in a bar in south London, but for BOA, but it was in the frame of a party snap I took. I hadn’t actually seen him at the party, but when I got home and was processing the final images, I couldn’t help but notice the stunning face in the crowd. I emailed my friend Neil, the event organizer, and he quickly got us in touch. That is how we landed the BAO cover boy Federico.
I did a few test shots before the actual day, but it was one of those Eureka! moments that I typically get around 2:50 in the morning while lying in bed awake, that I decided the background shouldn’t be a plain color, but rather a damask made from the bouquets themselves. When dawn came, I dashed a mock-up to Javier and Tony and we were off.
The shoot itself went all to plan. We shot the model on a plain white background. He was styled and primped throughout the day. Wardrobe change, bouquet adjustment, music changes and even some great lunch. The entire team was on the ball. I explained to the team what we were doing and got a couple of blank stares, but then showed my mock-up and started getting them on board. Javier and Tony, however, were already with me. They could see the same vision and we were on our way.
To create the background for each of the shots, I photographed each bouquet individually. This was placed as the background layer in Photoshop, and then I cut out the final photo of Federico and layered that on top. Finding the right balance between showing the background as flowers and color was a balancing act, largely accomplished by trial and error. The post production work on the shots was both fun and fulfilling, but definitely time consuming.
The resulting images delighted the client and Bride’s magazine. It also gave me a wonderful series of cool and beautiful shots. I’ll be sure to keep you posted on when it runs.


